Page:The Ivory Tower (London, W. Collins Sons & Co., 1917).djvu/134

THE IVORY TOWER honour to a great page of literary, of musical or pictorial art. The huge grace of the matter ought somehow to have left him simply captivated—so at least, all wondering, he hung about there to reflect; but excess of harmony might apparently work like excess of discord, might practically be a negation of the idea of the quiet life. Ignoble quiet he had never asked for—this he could now with assurance remember; but something in the pitch of his uncle's guarantee of big things, whatever they were, which should at the same time be pleasant things, seemed to make him an accomplice in some boundless presumption. In what light had he ever seen himself that made it proper the pleasant should be so big for him or the big so pleasant? Suddenly, as he looked at his watch and saw how the time had passed—time already, didn't it seem, of his rather standing off and quaking?—it occurred to him that the last thing he had proposed to himself in the whole connection was to be either publicly or privately afraid; in the act of noting which he became aware again of Miss Mumby, who, having come out of the house apparently to approach him, was now at no great distance. She rose before him the next minute as in fuller possession than ever of his fate, and yet with no accretion of reserve in her own pleasure at this.

"What I want you to do is just to go over to Miss Gaw." 120