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 it or play it. On the other side was the popular music—folk music, the music of the street, the nursery, the stable-shed and the taproom. As popular music was regularly deserted now for the concert school by those who possessed the greatest musical talent, it began to degenerate until it reached at last the degradation of "Grandfather's Clock," "Ta-ra-ra-boom-de-ay," "Waiting at the Church" and the graphophone.

On the other hand, concert music moved farther and farther away from the hearts and the comprehension of the people, until it has become a thing apart from their lives, to be enjoyed almost as much with the eye as with the ear, the interest lying chiefly in the production, in succession, of individual masters, each of whom visibly surpasses the mechanical achievements of his immediate predecessor.

If those first concerts had not been given by the Philarmonia at Vicenza,