Page:The Ifs of History (1907).pdf/60



OR the sake of variety, perhaps of diversion, in the midst of more serious speculations, let us have an "if" of musical history—and one which, no doubt, musicians may regard as purely fanciful, totally absurd. It should be stated at the start that this chapter is written by one who has no knowledge of music, but is capable of a very keen enjoyment of it, and has in his time heard much professional music—many concerts, operas and oratorios—and also much of the spontaneous untrained music of the people, including old New Eng-