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many days after the discussion with Phillipps, Mr. Dyson was resolute in the line of research he had marked out for himself. A fervent curiosity and an innate liking for the obscure were great incentives, but especially in this case of Sir Thomas Vivian's death (for Dyson began to boggle a little at the word 'murder') there seemed to him an element that was more than curious. The sign of the red hand upon the wall, the tool of flint that had given death, the almost identity between the handwriting of the note and the fantastic script reserved religiously, as it appeared, by the doctor for trifling jottings, all these diverse and variegated threads joined to weave in his mind a strange and shadowy picture, with ghastly shapes dominant and deadly, and yet ill-defined, like the giant figures wavering in an ancient tapestry. He thought he had a clue to the meaning of the note, and in his resolute search for the 'black heaven,' which had vanished, he beat furiously about the alleys and obscure streets of central London, making himself a familiar figure to the pawnbroker, and a frequent guest at the more squalid pot-houses.

For a long time he was unsuccessful, and he trembled at the thought that the 'black heaven' might be hid in the coy retirements of Peckham, or lurk perchance in distant Willesden, but finally, improbability, in which he put his trust, came to the rescue. It was a dark and