Page:The Hittites - the Story of a Forgotten Empire.djvu/68

66 influence of his mighty opponents. Hittite art and Hittite writing, if not the Hittite name, were proved to have been known from the banks of the Euphrates to the shores of the Ægean Sea.

The stone warrior of Karabel stands in his niche in the cliff at a considerable height above the path, and the direction in which he is marching is that which would have led him to Ephesos and the Mæander. His companion lies below, the block of stone out of which the second figure has been carved having been apparently shaken by an earthquake from the rocks above. This second figure is a duplicate of the first. Both stand in the same position, both are shod with the same snow-shoes, and both are armed with spear and bow. But the second figure has suffered much from the ill-usage of man. The upper part has been purposely chipped away, and it is not many years ago since a Yuruk's tent was pitched against the block of stone out of which it is carved, the niche in which the old warrior stands conveniently serving as the fire-place of the family. No trace of inscription remains, if indeed it ever existed. At any rate, it could not have run across the breast, as Herodotos asserts.

The account, indeed, given by Herodotos of these two figures can hardly have been that of an eye-witness. Instead of being little over three feet in height, they are more than life-size, and they hold their spears not in the right but in the left hand. Their accoutrement, moreover, is as unlike that of an 'Egyptian and Ethiopian' as it well could be, while the inscription is not traced across the breast, but between the face and the arm. Nor was the Greek historian correct in saying that the pass which the two warriors seem to guard leads not