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But Milton did not use his poetical powers for the mere pleasure of exercising them. In him, as in Isaiah, the great artist is embodied in the greater prophet. This is a commonplace, yet many approach Milton as if it were untrue. In the case of "Paradise Lost," admittedly the fullest expression of his message, the first two books are mistakenly recommended as typical. In them, to be sure, are superbly displayed his artistic powers, but certainly not his dominant thought. In fact, to confine oneself to them has proved a direct way to misunderstand him. Because they deal with the fallen angels, we have arising the persistent error that Satan is the hero of "Paradise Lost," and that the arch-rebel preoccupied the poet's interest. The result in our day, when belief in a personal devil is faint, is the impression that Milton devotes his genius to themes that, however picturesque, possess for us slight moral significance. And so we have the pitiable result that the mere artist is admired, but the prophet not hearkened to. Yet his message, grasped as a whole, comes home to our very hearts.

THE THEME OF "PARADISE LOST" The theme of Milton is not primarily Satan, nor even God and angels, but humanity. Not only do the opening lines of "Paradise Lost" proclaim the subject "man's disobedience," but throughout the epic it is the fate of man that is made the issue of every event in the universal creation. Thus Milton begins his story, not when Satan is conspiring against God, but when the defeated devil turns his revengeful thought toward the future inhabitants of the earth. Of that new world man is solemnly made the lord, God himself descending to breathe into him a spiritual life. It is to warn man against his fall that the rebellion in heaven is related; and in the central books it is the glory and the weakness of human nature that we see displayed. Finally, the future history of the world is communicated to Adam, not so much to manifest the absolute power of God or the futility of Satan's hate, as to assure the children of God of his eternal love toward them. In short, the subject is not theology but religion—not the nature of God and of Satan, but the relation of