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280 which the blast of His mouth might have as easily created; for is like a skilful Geometrician, who, when more easily and with one stroak of his Compass he might describe or divide a right line, had yet rather do this in a circle or longer way, according to the constituted and fore-laid principles of his Art. Yet this rule of His He doth sometimes pervert, to acquaint the World with His Prerogative, lest the arrogancy of our reason should question His power, and conclude He could not. And thus I call the effects of Nature the works of. Whose hand and instrument she only is; and therefore to ascribe His actions unto her, is to devolve the honour of the principal agent upon the instrument; which if with reason we may do, then let our hammers rise up and boast they have built our houses, and our pens receive the honour of our writings. I hold there is a general beauty in the works of, and therefore no deformity in any kind or species of creature whatsoever. I cannot tell by what Logick we call a Toad, a Bear, or an Elephant ugly; they being created in those outward shapes and figures which best express the actions of their inward forms, and having past that general Visitation of, Who saw that all that He had made was good, that is, conformable to His Will, which abhors deformity, and is the rule of order and beauty. There is no deformity but in Monstrosity; wherein, notwithstanding, there is a kind of Beauty; Nature so ingeniously contriving the irregular parts, as they become sometimes more remarkable than the principal Fabrick. To speak yet more narrowly, there was never any thing ugly or mis-shapen, but the Chaos; wherein, notwithstanding, (to speak strictly,) there was no deformity, because no form; nor was it yet impregnant by the voice of. Now Nature is not at variance with Art, nor Art with Nature, they being both servants of His Providence. Art is the perfection of Nature. Were the World now as it was the sixth day, there were yet a Chaos. Nature hath made one World, and Art another. In brief, all things are artificial; for Nature is the Art of.

XVII. This is the ordinary and open way of His Providence, which Art and Industry have in a good part discovered; whose effects we may foretel without an Oracle: to