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 her, Celandine made up her mind that this delightful Prince would be certain to fall in love with her at once, and was quite pleased at the idea. The old Fairy thought so too, but as this was not at all what she wished, she took care to throw such an enchantment over the Princess that she appeared to Featherhead quite ugly and awkward, though to every one else she looked just as usual. So when he arrived at the Leafy Palace, more handsome and fascinating even than ever she had been led to expect, he hardly so much as glanced at the Princess, but bestowed all his attention upon the old Fairy, to whom he seemed to have a hundred things to say. The Princess was immensely astonished at his indifference, and put on a cold and offended air, which, however, he did not seem to observe. Then as a last resource she exerted all her wit and gaiety to amuse him, but with no better success, for he was of an age to be more attracted by beauty than by anything else, and though he responded politely enough, it was evident that his thoughts were elsewhere. Celandine was deeply mortified, since for her part the Prince pleased her very well, and for the first time she bitterly regretted the fairy gifts she had been anxious to get rid of. Prince Featherhead was almost equally puzzled, for he had heard nothing from the King and Queen but the praises of this charming Princess, and the fact that they had spoken of her as so very beautiful only confirmed his opinion that people who live in the country have no taste. He talked to them of his charming acquaintances in the town, the beauties he had admired, did admire, or thought he was going to admire, until Celandine, who heard it all, was ready to cry with vexation. The Fairy too was quite shocked at his conceit, and hit upon a plan for curing him of it. She sent to him by an unknown messenger a portrait of Princess Celandine as she really was, with this inscription: ‘All this beauty and sweetness, with a loving heart and a great kingdom, might have been yours but for your well-known fickleness.’

This message made a great impression upon the Prince, but not so much as the portrait. He positively could not tear his eyes away from it, and exclaimed aloud that never, never had he seen anything so lovely and so graceful. Then he began to think that it was too absurd that he, the fascinating Featherhead, should fall in love with a portrait; and, to drive away the recollections of its haunting eyes, he rushed back to the town; but somehow everything seemed changed. The beauties no longer pleased him, their witty speeches had ceased to amuse; and indeed, for their parts,