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170 since they have already been noted in the chapter dealing with the type. The most important modification which it sustained was due to its meeting The Lady and the Monster and absorbing elements of that tale. How early this took place it is impossible to say, since George Peele's play is the only literary monument that helps to fix any date. A considerable stretch of time must, however, be allowed for the passage of a folk-tale from the extreme east of Europe to England. That the secondary combination was indeed made in eastern Europe admits of definite proof. All the known variants of The Grateful Dead + The Poison Maiden from the west have The Lady and the Monster as well, while three Slavic east-European versions are of this type. It follows that the compound must have been formed in the east and carried to the west, since otherwise the distribution should be precisely the opposite of that which obtains. Moreover, had the compound been made in Asia, it is improbable that it would have left such a comparatively feeble trace in the eastern part of the continent of Europe and later have conquered all the west. Other combinations, primary and secondary, have also arisen; but, if the collection of variants hitherto made is at all adequate, they are of inconsiderable importance.

Meanwhile, the simple theme of The Grateful Dead passed into Europe by other paths. Once over the border, it met a tale with which it readily combined,, producing a type not less influential than the one just mentioned. This new motive was The Ransomed Woman,, the origin of which is at present quite unknown. Though it is seemingly Oriental in character, all versions yet unearthed come from Europe, so that its provenance must be left in uncertainty. At all events, it was known in eastern Europe, and it was there in all probability that