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 130 Ashburnham told me all this in his final outburst. I have told you that, upon that occasion, he became deucedly vocal. I didn't pump him. I hadn't any motive. At that time I didn't in the least connect him with my wife. But the fellow talked like a cheap novelist.—Or like a very good novelist for the matter of that, if it's the business of a novelist to make you see things clearly. And I tell you I see that thing as clearly as if it were a dream that never left me. It appears that, not very far from the Casino, he and the girl sat down in the darkness upon a public bench. The lights from that place of entertainment must have reached them through the tree-trunks, since, Edward said, he could quite plainly see the girl's face—that beloved face with the high forehead, the queer mouth, the tortured eye-brows and the direct eyes. And to Florence, creeping up behind them, they must have presented the appearance of silhouettes, For I take it that Florence came creeping up behind them over the short grass to a tree that, as I quite well remember, was immediately behind that public seat. It was a not very difficult feat for a woman instinct with jealousy. The Casino orchestra was, as Edward remembered to tell me, playing the Rakocsy march and although it was not loud enough, at that distance, to drown the voice of Edward Ashburnham it was certainly sufficiently audible to efface, amongst the noises of the night, the slight brushings and rustlings that might have been made by the feet of Florence or by her gown in coming over the short grass. And that miserable woman