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 fully on the bed, ‘ain’t what you would call an ordinary scutt. When he was showing me his cabinet of art curios his face lighted up like the door of a coke oven. He says that if some of his big deals go through he’ll make J.P. Morgan’s collection of sweatshop tapestry and Augusta, Me., beadwork look like the contents of an ostrich’s craw thrown on a screen by a magic lantern.

“‘And then he showed me a little carving,’ went on Andy, ‘that anybody could see was a wonderful thing. It was something like 2,000 years old, he said. It was a lotus flower with a woman’s face in it carved out of a solid piece of ivory.

“‘Scudder looks it up in a catalogue and describes it. An Egyptian carver named Khafra made two of ’em for King Rameses II. about the year B. C. The other one can’t be found. The junkshops and antique bugs have rubbered all Europe for it, but it seems to be out of stock. Scudder paid $2,000 for the one he has.’

“‘Oh, well,’ says I, ‘this sounds like the purling of a rill to me. I thought we came here to teach the millionaires business, instead of learning art from ’em?’

“‘Be patient,’ says Andy, kindly. ‘Maybe we will see a rift in the smoke ere long.’ 132