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 living in a great society, he does not express or represent its human characteristics, but confines himself to an exhibition of the habits and traits of animals. Is it that we have not given him materials to rear a nobler edifice? That which we—that is, society—can give to a novelist is the moulding and formative influence of the national temper and character. What have we given to Mr. Dreiser? What, in short, are the dominant traits of the national genius? I am delighted to discover in Mr. Dreiser's latest book that he himself knows pretty well what the national genius is, how it has manifested itself in religion and politics, and how it is nourished and sustained by ancient traditions and strong racial proclivities. I like to agree with our young people when I can. When I find one of them testifying, contrary to their custom, that America does now possess a powerful national culture, I like to applaud his discernment. It is a pleasure to make amends for my disparagement of Mr. Dreiser as a novelist, by illustrating his critical ability with these words of his on the national genius:—

'No country in the world (at least, none that I know anything about) has such a peculiar, such a seemingly fierce determination to make the Ten Commandments work. It would be