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 Before I had gone far in this train of thought, the literary artist was addressing the business men. His discourse was so remarkable, and yet so representative of our most conspicuous group of "young people," that I reproduce the substance of it here.

"The young men of my generation," he began, "propose the emancipation of the arts in America. Before our time, such third-rate talents as the country produced were infected, by our institutions, and by the multitude, with a sense of their Messianic mission. Dominated by the twin incubi of Puritanism and Democracy, they servilely associated themselves with political, moral, and social programmes, and made beauty a prostitute to utility. Our generation of artists has seen through all the solemn humbug of your plans for the "welfare of the Republic." With a clearer-eyed pessimism than that of our toastmaster, we have not merely envisaged the failure of civilization in the past: we have also foreseen its failure in the future.

"We have talked with wiser counselors than those pious Philistines, our naïve Revolutionary Fathers. George Moore, our great contemporary, tells us that 'Humanity is a pig-sty, where liars, hypocrites, and the obscene in spirit congregate: and it has been so since the great Jew