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x to warn him, while there was yet time, against a world of English theories that culminated in the blue vacuum of heaven. Other colours, of course, rise immediately to one's mind as being a hundred times more potent than blue for a genealogy of morals:—for instance, grey, by which I mean authentic facts capable of definite proof and having actually existed, or, to put it shortly, the whole of that long hieroglyphic script (which is so hard to decipher) about the past history of human morals. This script was unknown to Dr. Ree; but he had read Darwin:—and so in his philosophy the Darwinian beast and that pink of modernity, the demure weakling and dilettante, who "bites no longer," shake hands politely in a fashion that is at least instructive, the latter exhibiting a certain facial expression of refined and good-humoured indolence, tinged with a touch of pessimism and exhaustion; as if it really did not pay to take all these things—I mean moral problems—so seriously. I, on the other hand, think that there are no subjects which pay better for being taken seriously; part of this payment is, that perhaps eventually they admit of being taken gaily. This gaiety, indeed, or, to use my own language, this joyful wisdom, is a payment; a payment for a protracted, brave, laborious, and burrowing seriousness, which, it goes without saying. is the attribute of but a few. But on that day on which we say from the fullness of our hearts, "Forward! our old morality too is fit material for Comedy, we shall have discovered a new plot, and a new possibility for the Dionysian drama entitled The Soul's Fate—and he will speedily utilise it, one can wager safely, he, the great ancient eternal dramatist of the comedy of our existence.