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 had eaten and paid for. Cypher had the power, in common with Napoleon III. and the goggle-eyed perch, of throwing a film over his eyes, rendering opaque the windows of his soul. Once when we left him unpaid, with egregious excuses, I looked back and saw him shaking with inaudible laughter behind his film. Now and then we paid up back scores.

But the chief thing at Cypher’s was Milly. Milly was a waitress. She was a grand example of Kraft’s theory of the artistic adjustment of nature. She belonged, largely, to waiting, as Minerva did to the art of scrapping, or Venus to the science of serious flirtation. Pedestalled and in bronze she might have stood with the noblest of her heroic sisters as “Liver-and-Bacon Enlivening the World.” She belonged to Cypher’s. You expected to see her colossal figure loom through that reeking blue cloud of smoke from frying fat just as you expect the Palisades to appear through a drifting Hudson River fog. There amid the steam of vegetables and the vapours of acres of “ham and,” the crash of crockery, the clatter of steel, the screaming of “short orders,” the cries of the hungering and all the horrid tumult of feeding man, surrounded by swarms of the buzzing winged beasts bequeathed us by Pharaoh, Milly steered her magnificent way like