Page:The Fleshly school of poetry - Buchanan - 1872.djvu/65

 lessly interwoven with thought and spirit. The fact that these gentlemen are so easily imitated is the most damning proof of their inferiority. What merits they have lie with their faults on the surface, and can be caught by any young gentleman as easily as the measles, only they are rather more difficult to get rid of. All young gentlemen have animal faculties, though few have brains; and if animal faculties without brains will make poems, nothing is easier in the world. A great and good poet, however, is great and good irrespective of manner, and often in spite of manner; he is great because he brings great ideas and new light, because his thought is a revelation; and, although it is true that a great manner generally accompanies great matter, the manner of great matter is almost inimitable. The great poet is not Cowley, imitated and idolized and reproduced by every scribbler of his time; nor Pope, whose trick of style was so easily copied that to this day we cannot trace his own hand with any certainty in the Iliad; nor Donne, nor Sylvester, nor the Della Cruscans. Shakspere's blank verse is the most difficult and Jonson's the most easy to imitate of all the Elizabethan stock; and Shakspere's verse is the best verse, because it combines the great qualities of all contemporary verse, with no individual affectations; and so perfectly does this verse, with all its splendour, intersect with the style of contemporaries at their best, that we would undertake to select passage after passage which would puzzle a good judge to tell which of the Elizabethans was the author—Marlowe, Beaumont, Dekker, Marston, Webster, or Shakspere himself. The great poet is Dante, full of the thunder of a great Idea; and Milton, unapproachable in the serene white light of thought and sumptuous wealth of