Page:The Finer Grain (London, Methuen & Co., 1910).djvu/203

Rh He had ever felt that an indispensable presence—with a need of it moreover that interfered at no point with his gentle habit, not to say his subtle art, of drawing out what was left him of his youth, of thinly and thriftily spreading the rest of that choicest jam-pot of the cupboard of consciousness over the remainder of a slice of life still possibly thick enough to bear it; or in other words of moving the melancholy limits, the significant signs, constantly a little further on, very much as property-marks or staked boundaries are sometimes stealthily shifted at night. He positively cherished in fact, as against the too inveterate gesture of distressfully guarding his eyeballs—so many New York aspects seemed to keep him at it—an ideal of adjusted appreciation, of courageous curiosity, of fairly letting the world about him, a world of constant breathless renewals and merciless substitutions, make its flaring assault on its own inordinate terms. Newness was value in the piece—for the acquisitor, or at least sometimes might be, even though the act of "blowing" hard, the act marking a heated freshness of arrival, or other form of irruption, could never minister to the peace of those already and long on the field; and this if only because maturer tone was after all most appreciable and most consoling when one staggered back to it, wounded, bleeding, blinded, from the riot of the raw—or, to put the whole experience more prettily, no doubt, from excesses of light.