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, I should wish this fault to be found in the last particular rather than the first: not for the sake of the play itself, which suffers equally in either case, but because there is a taste, that too generally prevails, for having all tragic characters drawn very good or very bad, and having the qualities of the superior personages allotted to them according to established heroic rules, by which all manner of cruelty, arrogance, and tyranny are freely allowed, while the slightest mixture of timidity, or any other of the tamer vices, are by no means to be tolerated. It is a taste, indeed, that arises from a nobleness in our nature; but the general prevalence of which would be the bane of all useful and natural delineation of character. For this reason, then, I would fain justify, if I could, the general design of Maclean's character, leaving the execution of it to the mercy of all who may do me the honour to bestow upon it any attention.

Had I not trusted to what Maclean and others, in the course of the play, assert of his personal courage, but brought out some circumstance in the cavern scene, before his spirits were cowed with superstitious dread, that would really have shewn it, his character, perhaps, would have appeared less liable to objection. It was my intention in that scene that he should have been supposed to leave the stage with his mind greatly subdued and