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 PLUNDER OF THE CITY. 355 of Yilleliardouin. The lust of the army spared neither maid- en nor the virgin dedicated to God. Violence and debauch- ery were everywhere present; cries and lamentations and the groans of the victims were heard throughout the city ; for ev- erywlicre pillage was unrestrained and lust unbridled. The city was in wild confusion. Nobles, old men, women, and children ran to and fro trying to save their wealth, their hon- or, and their lives. Knights, foot-soldiers, and Venetian sail- ors jostled each other in a mad scramble for plunder. Threats of ill-treatment, promises of safety if wealth were disgorged, mingled with the cries of many sufferers. These pious brig- ands, as Gunther aptly calls them, acted as if they had received a license to commit every crime. Sword in hand, houses and churches were pillaged. Every insult was offered to the relig- ion of the conquered citizens. Churches and monasteries were the richest storehouses, and were therefore the first buildings to be rifled. Monks and priests were selected for insult. The priests' robes were placed by the Crusaders on their horses. The icons were ruthlessly torn down from the screens or were broken. The sacred buildings were ransacked for rel- ics or their beautiful caskets. The chalices were stripped of their precious stones and converted into drinking-cups. The sacred plate was heaped with ordinary plunder. The altar- cloths and the screens of cloth-of-gold, richly embroidered and bejewelled, were torn down, and either divided among the troops or destroyed for the sake of the gold and silver which were woven into them. The altars of Ilagia Sophia, which had been the admiration of all men, were broken for the sake of the material of which they were made. Horses and mules were taken into the church in order to carry off the loads of sacred vessels and the gold and silver plates of the throne, the pulpits, and the doors, and the beautiful ornaments of the church. The soldiers made the chief church of Christendom the scene of their profanity. A prostitute was seated in the patriarchal chair, who danced, and sang a ribald song for the amusement of the soldiers. Nicctas, in speaking of the dese- cration of the Great Church, writes with the utmost indigna- tion of the barbarians who were incapable of appreciating and