Page:The Eyes of Max Carrados.pdf/16

xii acquaintance Carrados formed in "The Comedy at Fountain Cottage," when a very opportune buried treasure was unearthed in her suburban garden.

Every generation not unnaturally "fancies itself," and whatever is happening is therefore somewhat more wonderful than anything that has ever happened before. But for this present age there is, of course, a special reason why the exploits of the sightless obtain prominence, and why every inch won in the narrowing of the gulf between the seeing and the blind is hailed almost with the satisfaction of a martial victory. That the general condition of the blind is being raised, that they are, in the mass, more capable and infinitely less dependent than at any period of the past, is undeniable, and these things are plainly to the good; but when we think that blind men individually do more surprising feats and carry themselves more confidently in their blindness than has ever been done before, we deceive ourselves, in the superficiality that is common to the times. The higher capacity under blindness is a form of genius and, like other kinds of genius, it is not the prerogative of any century or of any system. Judged by this standard, Max Carrados is by no means a super-blind-man, and although for convenience the qualities of more than one blind prototype may have been collected within a single frame, on the other hand literary licence must be judged to have its limits, and many of the realities of fact have been deemed too improbable to be transferred to fiction. Carrados's opening exploit, that of accurately deciding an antique coin to be a forgery, by the sense of touch, is far from being unprecedented.

The curious and the incredulous may be referred to