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 path leading to the Bunbul, and round it, huge earthen animals, their various totems, such as crocodiles, kangaroos, emus and others, all of a colossal size. These they plastered over with mud and painted in different colours and designs. On the right of the Bunbul they made an earthen figure of Byamee—this figure was reclining holding in each hand a Boondee. On the other side was the huge figure of a woman-this represented Birrahgnooloo, the favourite wife of Byamee; she held two spears. There was a third figure not so large as the other two but like them, apart from the figures near the path and the Bunbul; this was Baillahburrah, according to some, Dillalee according to others, the supernatural son of Byamee—or as some say, brother—not born of woman, having lived before the human race existed, before Byamee travelled as Creator and culture hero through Australia.

Of the Gayandi, the Boorah spirit, sometimes called Wallahgooroonboooan, there was no figure, because he was always present at Boorahs, though invisible. His voice only gave evidence of his presence.

The wirreenuns said it was he who had placed in the forks of trees round the big ring heaps of dry wood, which they said, when the ceremonies began, he would light, making a dazzling illumination of the scene.

In the middle of the Boorah ring was placed a mudgee, a painted stick or spear, with a bunch of hawk's feathers on the top. Every night was heard at intervals the Gayandi, and immediately the younger women and children stopped their ears, while the old women shrieked their brumboorah.

As each fresh batch of blacks arrived the volume of sound was increased, for the old men with their Gayandi would go into the scrub and whirl them. These bull roarers sound curiously uncanny-I did not wonder the uninitiated accepted the spirit theory as to their origin.

The bush of Australia is a good background for superstition; there is such a non-natural air about its