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 America possesses, the numerous guns and the piles of cannon-balls show that she is not unprepared for aggressive or defensive war.

The Merchants' Exchange, where every change in the weather at New Orleans is known in a few minutes; the Post Office, with its innumerable letter-boxes and endless bustle; the Tremont Hall, one of the finest music-halls in the world; the water-works, the Athenæum, and the libraries, are all worthy of a visit.

There is a museun, which we visited in the evening, but it is not creditable to the taste of the inhabitants of this fine city. There are multitudes of casts and fossils, and stuffed beasts and birds, and monsters, and a steam-engine modelled in glass, which works beautifully; but all these things are to hide the real character of this institution, and appeared to be passed unnoticed by a large number of respectable-looking people who were thronging into a theatre at the back—a very gloomy-looking edifice, with high pews. A placard announced that Dickens' Hard Times, which it appears from this has been dramatised, was about to be acted. The plays are said to be highly moral, but in the melodrama religion and buffoonery are often intermingled; and I confess that I did not approve of this mode of solacing the consciences of those who object to ordinary theatricals, for the principle involved remains the same.

The National Theatre is considered so admirably adapted for seeing, hearing, and accommodation, that it is frequently visited by European architects. An American friend took me to see it in the evening, when none are admitted but those who are going to remain for the