Page:The English humourists of the eighteenth century. A series of lectures, delivered in England, Scotland, and the United States of America (IA englishhumourist00thacrich).pdf/82

 is only interrupted by old grandpapa awaking from his doze at the pasteboard chalet (whither he returns to take another nap in case the young people get an encore): when Harlequin, splendid in youth, strength and agility, arrayed in gold and a thousand colours, springs over the heads of countless perils, leaps down the throat of bewildered giants, and, dauntless and splendid, dances danger down: when Mr. Punch, that godless old rebel, breaks every law and laughs at it with odious triumph, outwits his lawyer, bullies the beadle, knocks his wife about the head, and hangs the hangman,—don't you see in the comedy, in the song, in the dance, in the ragged little Punch's puppet-show,—the Pagan protest? Doesn't it seem as if Life puts in its plea and sings its comment? Look how the lovers walk and hold each other's hands and whisper! Sings the chorus—"There is nothing like love, there is nothing like youth, there is nothing like beauty of your spring time. Look! how old age tries to meddle with merry sport! Beat him with his own crutch, the wrinkled old dotard! There is nothing like youth, there is nothing like beauty, there is nothing like strength. Strength and valour win beauty and youth. Be brave and conquer. Be young and happy. Enjoy, enjoy, enjoy! Would you know the Segreto per esser felice? Here it is, in a smiling mistress and a cup of Falernian." As the boy tosses the cup and sings his song. Hark! what is that chaunt coming nearer and