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Rh "It is curious," said she, drying her eyes, "but I do." And once again, so suddenly that he could not have resisted, she kissed him. I think, however, that in this her hour of sorrow he would have thought it mean to resist.

"It pleases her and it doesn't hurt me—much," would have been his thought.

And now it is near moonrise. The French governess, half-doubting, half-hoping, but wholly longing to be near Lord Yalding even if he be as mad as a March hare, and the four children—they have collected Mabel by an urgent letter-card posted the day before—are going over the dewy grass. The moon has not yet risen, but her light is in the sky mixed with the pink and purple of the sunset. The west is heavy with ink-clouds and rich colour, but the east, where the moon rises, is clear as a rock-pool.

They go across the lawn and through the beech-wood and come at last, through a tangle of underwood and bramble, to a little level tableland that rises out of the flat hill-top—one tableland out of another. Here is the ring of vast rugged stones, one pierced with a curious round hole, worn smooth at its edges. In the middle of the circle is a great flat stone, alone, desolate, full of meaning—a stone that is covered thick with the memory of old faiths and creeds long since forgotten. Something dark moves in the circle. The French girl breaks from the children, goes to it, clings to its arm. It is Lord Yalding, and he is telling her to go.

"Never of the life!" she cries. "If you are