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 D

Dances, i. 6, 198; in masks, i. 149, 195, 199; after plays, ii. 550; between acts, ii. 557; iii. 130; in nets, iv. 200. See Jigs.

Dancing bears, ii. 449.

Dancing masters, i. 201; ii. 494.

Dates, styles used for, iii. 355, 362, 390.

Daylight playing, iv. 372.

Days for playing, i. 285, 288, 290, 291, 293, 295, 301, 302, 303, 314, 316; iv. 200, 205, 303, 307, 312, 331.

'Dead rent' of playhouse, ii. 22.

Debts of players, i. 351, 363, 368; ii. 149, 157, 175, 191, 226, 245, 248.

Declared Accounts, iv. 132.

Decorum, i. 256.

Defences of plays, i. 250-3, 256-60, 262; iv. 184, 186, 187, 188, 190, 191 193, 194, 196, 201, 206, 226, 228, 237, 238, 243, 245, 250, 257, 259.

Denmark, players in, ii. 271, 276, 284.

'Deputations' of players, i. 336; ii. 59-60.

Derby's men, ii. 118-27.

'Descents', iii. 77, 108, 132.

Devices in masks, i. 190; iii. 279; in tilts, i. 143; on progress, i. 122-6.

Devil on the stage, i. 256; iii. 423.

Diagrams of stage, iii. 84.

Dicitori (players), iv. 358, 364.

'Diet', i. 51.

Dining in state, i. 15, 34, 46.

Disard, ii. 82.

'Discoveries', iii. 28, 81, 96, 111, 133.

Disguising, i. 151.

Disorders at playhouses, i. 264, 266, 283, 287, 291, 293, 297, 298, 304, 317; ii. 100, 104, 105, 396, 441, 447; iii. 501; iv. 244, 274, 277, 278, 279, 280, 282, 297, 310, 318, 321, 341.

Division of companies, i. 293, 332, 341; ii. 106, 111, 121, 129, 239; iv. 302, 312, 343.

Domus, ii. 539; iii. 6-8, 31.

Doors of playhouse, ii. 538; on stage, iii. 73, 83, 100, 132; iv. 366.

Double mask, i. 152, 154, 191.

Doubling of parts, i. 371.

Drama. See Plays.

Dramatists. See Playwrights. Drums and trumpets announcing plays, ii. 160, 547; iv. 199, 203, 219, 228, 291, 316, 320.

Duke of York's men, ii. 241-4.

Duration of plays, iv. 195, 198, 230, 316.

Duretto, i. 198; iii. 234; iv. 59.

Dwarfs at court, i. 48.

E

Earl Marshal, i. 33.

'Earnest', ii. 161.

Earthquake, i. 256, 286-7; iv. 208.

'Easer' to playhouse, ii. 393, 402.

Economics of stage, i. 308, 348-88.

Edge of stage, action on, iii. 29, 90, 107, 154.

Educational value of plays, i. 237-40, 249, 251; iv. 184, 186, 187, 188, 191, 199.

[Greek: Ekkyklêma], iii. 97.

Elector Palatine's men, ii. 190-2.

'End' of stage, iii. 74.

Engelische Comedien und Tragedien, ii. 285.

Enrolled Accounts, iv. 132, 134.

Entrance fees, ii. 531-4, 556; iii. 501; iv. 194, 219, 228, 230, 232, 240, 243, 366.

Entrances to stage, iii. 73.

Entremets, i. 152.

Entry of maskers, i. 182.

Epilogue, ii. 547, 550; iv. 256.

Esquires of Body, i. 46, 50; of Household, i. 42-4.

Essex's men, ii. 102.

Ethics of the stage, i. 236-68; iv. 184-259 (extracts), 267, 269, 273, 279, 281, 284, 291, 294, 295, 300, 303, 307, 317, 318, 321.

Eton, children of, ii. 73.

Evelyn's men, ii. 117.

Exchequer, i. 5, 31, 54, 60, 62; iv. 131.

Exchequer court, i. 8.

'Excursions', iii. 53.

Execution scenes, iii. 57, 97.

Executions near playhouse, ii. 396.

Exemplifications of patents, i. 305, 355; ii. 192, 235, 259.

'Extempore' plays, ii. 553; iii. 287, 444-5.

'Extraordinary' household officers, i. 46, 49.

Extravagance of plays, i. 252, 255, 263.

F

Fairies in shows, i. 124; iii. 401-2; iv. 63.