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 the seventeenth century. If so, the play cannot be that revived by Strange's for Henslowe in Feb. 1592 and given, sometimes under the title of Don Horatio, and sometimes under that of the Comedy of Jeronimo, during a run of, and several times on the night before, the Spanish Tragedy (Greg, Henslowe, ii. 150, 154). It is, moreover, not a comedy. It may, however, be a later version of the same theme, motived by another revival of the Spanish Tragedy by the Admiral's in 1601-2. If so, it was probably itself due, not to the Admiral's, but to the Chamberlain's, and a piracy of their property by the Revels boys explains the jest at 'Ieronimo in decimo sexto' in the induction to the 1604 version of Marston's Malcontent. It must be uncertain whether 1 Jeronimo was the 'Komödie vom König in Spanien und dem Vice-Roy in Portugall' given at Dresden in 1626 (Herz, 66, 76). The Troublesome Reign of King John 1587< >91

1591. The Troublesome Raigne of Iohn King of England, with the discouerie of King Richard Cordelions Base sonne (vulgarly named, The Bastard Fawconbridge): also the death of King Iohn at Swinstead Abbey. As it was (sundry times) publikely acted by the Queenes Maiesties Players, in the honourable Citie of London. For Sampson Clarke. There is a Second part with separate signatures and title-page. The Second part of the troublesome Raigne of King Iohn, conteining the death of Arthur Plantaginet, the landing of Lewes, and the poysning of King Iohn at Swinstead Abbey. As London  1591. [The text of each part is preceded by lines 'To the Gentlemen Readers', and a head-piece, which has the initials W. D.] 1611. The First and Second Part As they were (sundry times) lately acted by the Queenes Maiesties Players. Written by W. Sh. Valentine Simmes for John Helme. [The signatures are continuous through both parts.] 1622. as they were (sundry times) lately acted. Written by W. Shakespeare. Augustine Mathewes for Thomas Dewes.

Editions by G. Steevens (1760, T. P. ii), J. Nichols (1779, Six Old Plays, ii), W. C. Hazlitt (1875, Sh. Libr. v), F. G. Fleay, King John (1878), F. J. Furnivall (1888, Sh. Q), J. S. Farmer (1911, T. F. T.), F. J. Furnivall and J. Munro (1913, Sh. Classics).—Dissertations: E. Rose, Shakespeare as an Adapter (Macmillan's Magazine, Nov. 1878); G. C. Moore Smith, Sh.'s K. J. and the T. R. (1901, Furnivall Miscellany, 335); H. D. Sykes, Sidelights on Shakespeare, 99 (1919).

The authorship was assigned by Malone to Marlowe, by Pope to Shakespeare and W. Rowley, by Fleay, ii. 53, and King John, 34, to Greene, Peele, and Lodge, working on a Marlowian plot. Furnivall and Munro accept none of these theories, and the latter suggests a common authorship with the early Leir. Sykes argues strongly for Peele. The lines prefixed to Part I begin

You that with friendly grace of smoothed brow Have entertained the Scythian Tamburlaine.

They do not claim to be a prologue, and may have been added on