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 follows, and only discovers his misadventure at the beginning of Act. Even if the play was staged as a whole on public theatre methods, it is difficult not to suppose that the two entrances to the cave, at Cirta and in the forest, were shown together. It is to be added that, in a note to the print, Marston apologizes for 'the fashion of the entrances' on the ground that the play was 'presented by youths and after the fashion of the private stage'. Somewhat exceptional also is the arrangement of Eastward Ho!, in which Chapman, Jonson, and Marston collaborated. The first three acts, taken by themselves, are easy enough. They need four houses in London. The most important is Touchstone's shop, which is 'discovered'. The others are the exteriors of Sir Petronel's house and Security's house, with a window or balcony above, and a room in the Blue Anchor tavern at Billingsgate. But throughout most of Act the whole stage seems to be devoted to a complicated action, for which only one of these houses, the Blue Anchor, is required. A place above the stage represents Cuckold's Haven, on the Surrey side of the Thames near Rotherhithe, where stood a pole bearing a pair of ox-horns, to which butchers did a folk-observance. Hither climbs Slitgut, and describes the wreck of a boat in the river beneath him. It is the boat in which an elopement was planned from the Blue Anchor in Act. Slitgut sees; Goulding and Mildred sitting on eyther side of the stall'.]