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More, these men, contrary to M^r Mayors comandment, went with their drum & trumppytts thorowe the Towne, in contempt of M^r Mayor, neyther wold come at his comandment, by his offycer, viz. Worship.

William Pateson my lord Harbards man    } Thomas Powlton my lord of Worcesters man } these ij

were they which dyd so much abuse M^r Mayor in the aforesayd words.

These sayd playors have submytted them selves, & are sorye for there words past, & craved pardon, desyeringe his worship not to write to there Master agayne them, & so vpon there submyssyn, they are lycensed to play this night at there inn, & also they have promysed that vppon the stage, in the begynyng of there play, to shoe vnto the hearers that they are licensed to playe by M^r Mayor & with his good will & that they are sory for the words past.

The latter part of this record is intelligible enough; evidently there was a repetition of the misrule at Norwich. But the earlier part, which refers to a different matter altogether, is distinctly puzzling. The 'theys' in the first sentence of the Corporation minute of 6 March are complicated, and it has sometimes been supposed that there was really a company of Master of the Revels' men, and that it was Worcester's men who questioned the licence of these. On the whole, I think that a different interpretation of the documents is the more natural one. No doubt Worcester's men had found it necessary, as a result of the powers granted to Tilney as Master of the Revels by the patent of 24 December 1581, to renew the authority under which they travelled. In addition to a fresh warrant from their lord licensing them to travel as his household servants, and dated 14 January 1583, they obtained on the following 6 February a further licence from Tilney, issued under the clause of his commission which appointed him to 'order and reforme, auctorise and put downe' all players in any part of England, whether they were 'belonginge to any noble man' or otherwise. This licence, but not the other, they left at their inn in Leicester, while passing through on some previous occasion; and here it was found by some unlicensed players, who appropriated it, and either through misunderstanding or through fraud, imposed it upon the Corporation as an instrument constituting a Master of the Revels' company. There are two difficulties in this theory. One is that George Haysell, to whom Tilney's licence was issued, is not one of the actors named in the Earl of Worcester's warrant. But there are other cases in which the constitution of a company in the