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220 not only when there was a royal guest to be entertained. As the public theatres were open by daylight, the companies were easily available for private engagements after supper. Naturally the record of such occasions has in most cases perished with the domestic account-books in which it was entered. But Sir Edward Hoby invited Sir Robert Cecil to a performance of Richard II—at least, I think so—in 1595. The gossip of Rowland Whyte informs us of the banquets and plays given in honour of Sir Robert Cecil by Sir Walter Raleigh and other friends on the eve of his mission to France in 1598, of the two plays at a supper about the same date by Sir Gilly Meyrick at the rival political headquarters of Essex House, and of the performances of Henry IV under its original title of Sir John Oldcastle, when Lord Chamberlain Hunsdon feasted the Flemish ambassador Louis Verreyken in 1600. Similarly, in 1606 John Chamberlain went to a play at Sir Walter Cope's, now Holland House, and 'had to squire his daughter about, till he was weary', and in 1613 Sir Robert Rich had a play for the delectation of the Savoyard ambassador after a supper in Holborn. An amusing side-light on the improvised stage-arrangements necessary in private houses is given by a stage-direction in Percy's Aphrodysial, 'Here went furth the whole Chorus in a shuffle as after a Play in a Lord's howse'. Wealthy citizens, if they were not too puritanically disposed, could well afford to follow the lead of the nobles and gentry of the court. And in the years before the controversy between