Page:The Education of Henry Adams (1907).djvu/426

 sixteenth-century glass. Paris alone contains acres of it, and the neighborhood within fifty miles contains scores of churches where the student may still imagine himself three hundred years old, kneeling before the Virgin's window in the silent solitude of an empty faith, crying his culp, beating his breast, confessing his historical sins, weighed down by the rubbish of sixty-six years' education, and still desperately hoping to understand.

He understood a little though not much. The sixteenth century had a value of its own, as though the ONE had become several, and unity had counted more than Three, though the Multiple still showed modest numbers. The glass had gone back to the Roman Empire and forward to the American continent; it betrayed sympathy with Montaigne and Shakespeare; but the Virgin was still supreme. At Beauvais in the Church of Saint Stephen was a superb tree of Jesse, famous as the work of Engrand le Prince, about 1570 or 1580, in whose branches, among the fourteen ancestors of the Virgin, three-fourths bore features of the Kings of France, among them Francis I and Henry II, who were hardly more edifying than Kings of Israel, and at least unusual as sources of divine purity. Compared with the still more famous Tree of Jesse at Chartres, dating from 1150 or thereabouts, must one declare that Engrand le Prince proved progress? and in what direction? Complexity, Multiplicity, even a step towards Anarchy, it might suggest, but what step towards perfection?

One late afternoon, at midsummer, the Virgin's pilgrim was wandering through the streets of Troyes in close and intimate conversation with Thibaut of Champagne and his highly intelligent seneschal, the Sieur de Joinville, when he noticed one or two men looking at a bit of paper stuck in a window. Approaching, he read that M. de Plehve had been assassinated at St. Petersburg. The mad mixture of Russia and the Crusades, of the Hippodrome and the Renaissance, drove him for refuge into the fascinating Church of St. Pantaleon near by. Martyrs, murderers, Cæsars, saints and assassins,—half in glass and half in telegram; chaos of time, place, morals, forces and motive—gave him vertigo. Had one sat all one's life on the steps of Ara Coeli for this? Was assassination forever to be the last word of Progress? No one in the street had shown a sign of protest; he himself felt none; the