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Rh saw bursting forth at the tap of the magician's rod. Of course, the influence which Mr Joyce's book may have is from my point of view an irrelevance. A very great book may have a very bad influence indeed; and a mediocre book may be in the event most salutary. The next generation is responsible for its own soul; a man of genius is responsible to his peers, not to a studio-full of uneducated and undisciplined coxcombs. Still, Mr Aldington's pathetic solicitude for the half-witted seems to me to carry certain implications about the nature of the book itself to which I cannot assent; and this is the important issue. He finds the book, if I understand him, to be an invitation to chaos, and an expression of feelings which are perverse, partial, and a distortion of reality. But unless I quote Mr Aldington's words I am likely to falsify. "I say, moreover," he says, "that when Mr Joyce, with his marvellous gifts, uses them to disgust us with mankind, he is doing something which is false and a libel on humanity." It is somewhat similar to the opinion of the urbane Thackeray upon Swift. "As for the moral, I think it horrible, shameful, unmanly, blasphemous: and giant and great as this Dean is, I say we should hoot him." (This, of the conclusion of the Voyage to the Houyhnhnms—which seems to me one of the greatest triumphs that the human soul has ever achieved.—It is true that Thackeray later pays Swift one of the finest tributes that a man has ever given or received: "So great a man he seems to me that thinking of him is like thinking of an empire falling." And Mr Aldington, in his time, is almost equally generous.)

Whether it is possible to libel humanity (in distinction to libel in the usual sense, which is libelling an individual or a group in contrast with the rest of humanity) is a question for philosophical societies to discuss; but of course if Ulysses were a "libel" it would simply be a forged document, a powerless fraud, which would never have extracted from Mr Aldington a moment's attention. I do not wish to linger over this point: the interesting question is that begged by Mr Aldington when he refers to Mr Joyce's "great undisciplined talent."

I think that Mr Aldington and I are more or less agreed as to what we want in principle, and agreed to call it classicism. It is because of this agreement that I have chosen Mr Aldington to at-