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612 problems presented by this strange tale. Stimulated by Frazer's Golden Bough—of which this extraordinarily interesting book is a sort of offshoot—she has attempted to explain the Fisher King as a primitive vegetable god—one of those creatures who, like Attis and Adonis, is identified with Nature herself and in the temporary loss of whose virility the drouth or inclemency of the season is symbolized; and whose mock burial is a sort of earnest of his coming to life again. Such a cult, Miss Weston contends, became attached to the popular Persian religion of Mithraism and was brought north to Gaul and Britain-by the Roman legionaries. When Christianity finally prevailed, Attis was driven underground and survived only as a secret cult, like the Venus of the Venusberg. The Grail legend, according to Miss Weston, had its origin in such a cult; the Lance and Grail are the sexual symbols appropriate to a fertility rite and the eerie adventure of the Chapel Perilous is the description of an initiation.

Now Mr Eliot uses the Waste Land as the concrete image of a spiritual drouth. His poem takes place half in the real world—the world of contemporary London, and half in a haunted wilderness—the Waste Land of the mediaeval legend; but the Waste Land is only the hero's arid soul and the intolerable world about him. The water which he longs for in the twilit desert is to quench the thirst which torments him in the London dusk. —And he exists not only upon these two planes, but as if throughout the whole of human history. Miss Weston's interpretation of the Grail legend lent itself with peculiar aptness to Mr Eliot's extraordinarily complex mind (which always finds itself looking out upon the present with the prouder eyes of the past and which loves to make its oracles as deep as the experience of the race itself by piling up stratum upon stratum of reference, as the Italian painters used to paint over one another); because she took pains to trace the Buried God not only to Attis and Adonis, but further back to the recently revealed Tammuz of the Sumerian-Babylonian civilization and to the god invited to loosen the waters in the abysmally ancient Vedic Hymns. So Mr Eliot hears in his own parched cry the voices of all the thirsty men of the past—of the author of Ecclesiastes in majestic bitterness at life's futility, of the Children of Israel weeping for Zion by the unrefreshing rivers of Babylon, of the disciples after the Crucifixion meeting the phantom of Christ on their journey; of Buddha's renunciation of life and Dante's astonishment at the weary hordes of