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 him whether his work is good or bad; but only the author himself is in a position to know just what he was trying to do and how far or short he has fallen of doing it. It is easy for a critic of broad sympathies and keen discernment to point out a writer's faults and to show how a specific piece of bad writing may be worked over and improved. But in a big, general way it may be said boldly that no one can teach a writer how to remedy his faults, no one can provide a golden rule for his future avoidance of them. Suppose, for instance, that an author's trouble is in plot construction. It may be easy to tell him where his plot is wrong and explain to him the principle that he has violated. But if he is to obtain any real and lasting profit he must find out for himself how to set the trouble right. Of course, you might construct the plot for him—but then it would be your plot and not his; you would be, not [49]