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171 a great effect there. And yet he did not wish to be at Paris when the count was there.

The evening passed as evenings mostly pass at Italian theaters; that is, not in listening to the music, but in paying visits and conversing. The Countess G wished to revive the subject of the count, but Franz announced he had something far newer to tell her; and, in spite of Albert's demonstrations of false modesty, he informed the countess of the great event which had preoccupied them for the last three days. As similar intrigues are not uncommon in Italy, if we may credit travelers, the countess did not manifest the least incredulity, but congratulated Albert on his success. They promised, upon separating, to meet at the Duke of Bracciano's ball, to which all Rome was invited.

The heroine of the bouquet kept her word; she gave Albert no sign of her existence the morrow and day after.

At length arrived the Tuesday, the last and most tumultuous day of the Carnival. On Tuesday, the theaters open at ten o'clock in the morning, as Lent begins after eight at night. On Tuesday, all those who, through want of money, time, or enthusiasm, have not been to see the Carnival before, mingle in the gayety, and contribute to the noise and excitement. From two o'clock till five Franz and Albert followed in the fete, exchanging handfuls of confetti with the other carriages and the pedestrians, who crowded amongst the horses' feet and the carriage wheels without a single accident, a single dispute, or a single fight.

The fêtes are veritable days of pleasure to the Italians. The author of this history, who has resided five or six years in Italy, does not recollect to have ever seen a ceremony interrupted by one of those events so common in other countries.

Albert was triumphant in his costume of paillasse. A knot of rose-colored ribbons fell from his shoulder almost to the ground. In order that there might be no confusion, Franz wore his peasant's costume.

As the day advanced, the tumult became greater. There was not on the pavement, in the carriages, at the windows, a single tongue that was silent, a single arm that did not move. It was a human storm, composed of a thunder of cries, and a hail of sweetmeats, flowers, eggs, oranges, and nosegays.

At three o'clock the sound of fireworks, let off on the Piazza del Popolo and the Piazza di Venezia (heard with difficulty amid the din and confusion) announced that the races were about to begin.

The races, like the moccoli, are one of the episodes peculiar to the last days of the carnival. At the sound of the fireworks the carriages instantly broke the ranks, and retired by the adjacent streets. All these evolutions are executed with an inconceivable address and marvelous