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devoted himself with assiduity to the study of ethics, the fruits of which are visible in the moral reflections which give a didactic character to the lightest of his compositions.

At the usual age he entered the University of Salamanca, and went through the regular course of the canon and civil law. But the imaginative spirit of Solis took much more delight in the soft revels of the Muses than in the severe discipline of the schools; and he produced a number of pieces for the theatre, much esteemed for the richness of the diction, and for the ingenious and delicate texture of the intrigue. His taste for dramatic composition was, no doubt, nourished by his intimacy with the great Calderon, for whose dramas he prepared several loas, or prologues. The amiable manners and brilliant acquisitions of Solís recommended him to the favour of the Conde de Oropesa, viceroy of Navarre, who made him his secretary. The letters written by him while in the service of this nobleman, and afterwards, have some of them been given to the public, and are much commended for the suavity and elegance of expression, characteristic of all the writings of their author.

The increasing reputation of Solís attracted the notice of the Court, and, in 1661, he was made secretary of the queen dowager,—an office which he had declined under Philip the Fourth,—and he was also preferred to the still more important post of Historiographer of the Indies, an appointment which stimulated his ambition to a bold career, different from anything he had yet attempted. Five years after this event, at the age of fifty-six, he made a most important change in his way of life, by embracing the religious profession, and was admitted to priest's orders in 1666. From this time he discontinued his addresses to the comic Muse; and, if we may credit his biographers, even refused, from conscientious scruples, to engage in the composition of the religious dramas, styled autos sacramentales, although the field was now opened to him by the death of the poet Calderon. But such tenderness of conscience it seems difficult to reconcile with the publication of his various comedies, which took place in 1681. It is certain, however, that he devoted himself zealously to his new profession, and to the historical studies in which his office of chronicler had engaged him. At length, the fruits of these studies were given to the world in his Conquista de Mejico, which appeared at Madrid in 1684. He designed, it is said, to continue the work to the times after the Conquest. But, if so, he was unfortunately prevented by his death, which occurred about two years after the publication of his history, on the 13th of April 1686. He died at the age of seventy-six, much regarded for his virtue and admired for his genius, but in that poverty with which genius and virtue are too often requited.

The miscellaneous poems of Solís were collected and published a few years after his death in one volume quarto; which has since been reprinted. But his great work, that on which his fame is permanently to rest, is his Conquista de Mejico. Notwithstanding the field of history had been occupied by so many eminent Spanish scholars, there was still a new career open to Soils. His predecessors, with all their merits, had shown a strange ignorance of the principles of art. They had regarded historical writing not as a work of art, but as a science. They had approached it on that side only, and thus divorced it from its legitimate connection with belles-lettres. They had thought only of the useful, and nothing of the beautiful; had addressed themselves to the business of instruction, not to that of giving pleasure; to the man of letters, studious to hive up knowledge, not to the man of leisure, who turns to books as a solace or a recreation. Such writers are never in the hands of the many,—not even of the cultivated many. They are condemned to the closet of the student, painfully toiling after truth, and little mindful of the coarse covering under which she may be wrapped. Some of the most distinguished