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 attended to preserve order, and others summoned the parties, and produced them in court. No counsel was employed; the parties stated their own case, and supported it by their witnesses. The oath of the accused was also admitted in evidence. The statement of the case, the testimony, and the proceedings of the trial, were all set forth by a clerk, in hieroglyphical paintings, and handed over to the court. The paintings were executed with so much curacy, that, in all suits respecting real property, they were allowed to be produced as good authority in the Spanish tribunals, very long after the Conquest; and a chair for their study and interpretation was established at Mexico in 1553, which has long since shared the fate of most other provisions for learning in that unfortunate country.1

A capital sentence was indicated by a line traced with an arrow across the portrait of the accused. In Tezcuco, where the king presided in the court, this, according to the national chronicler, was done with extraordinary parade. His description, which is of rather a poetical cast, I give in his own words: "In the royal palace of Tezcuco was a courtyard, on the opposite sides of which were two halls of justice. In the principal one, called the 'tribunal of God,' was a throne of pure gold inlaid with turquoises and other precious ones. On a stool in front, was placed a human skull, crowned with an immense emerald, of a pyramidal form, and surmounted by an aigrette of brilliant plumes and precious stones. The skull was laid on a heap of military weapons, shields, quivers, bows, and arrows. The walls were hung with tapestry, made of the hair of different wild animals, of rich and various colours, festooned by gold rings, and embroidered with figures of birds and flowers. Above the throne was a canopy of variegated plumage, from the centre of which shot forth resplendent rays of gold and jewels. The other tribunal, called 'the king's,' was also surmounted by a gorgeous canopy of feathers, on which were emblazoned the royal arms. Here the sovereign gave public audience, and communicated his despatches. But, when he decided important causes, or confirmed a capital sentence, he passed to 'the tribunal of God,' attended by the fourteen great lords of the realm, marshalled according to their rank. Then, putting on his mitred crown, incrusted with precious stones, and holding a golden arrow, by way of sceptre, in his left hand, he laid his right upon the skull, and pronounced judgment."2 All this