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 that their city held in its bosom those dread beings whose path had been marked with desolation, and who could call down the thunderbolts to consume their enemies! It was doubtless the policy of Cortés to strengthen this superstitious feeling as far as possible, and to impress the natives, at the outset, with a salutary awe of the supernatural powers of the Spaniards.

On the following morning the general requested permission to return the emperor's visit by waiting on him in his palace. This was readily granted, and Montezuma sent his officers to conduct the Spaniards to his presence. Cortés dressed himself in his richest habit, and left the quarters attended by Alvarado, Sandoval, Velasquez, and Ordaz, together with five or six of the common file.

The royal habitation was at no great distance. It stood on the ground, to the south-west of the cathedral, since covered in part by the casa del Estado, the palace of the Dukes of Monteleone, the descendants of Cortés.1 It was a vast, irregular pile of low stone buildings, like that garrisoned by the Spaniards. So spacious was it indeed, that, as one of the Conquerors assures us, although he had visited it more than once, for the express purpose, he had been too much fatigued each time by wandering through the apartments ever to see the whole of it. It was built of the red porous stone of the country, tetzontli, was ornamented with marble, and on the façade over the principal entrance were sculptured the arms or device of Montezuma, an eagle bearing an ocelot in his talons.2

In the courts through which the Spaniards passed fountains of crystal water were playing, fed from the copious reservoir on the distant hill of Chapoltepec, and supplying in their turn more than a hundred baths in the interior of the palace. Crowds of Aztec nobles were sauntering up and down in these squares, and in the outer halls, loitering away their hours in attendance on the court. The apartments were of immense size, though not lofty. The ceilings were of various sorts of odoriferous wood ingeniously carved; the floors covered with mats of the palm leaf. The walls were hung with cotton richly stained, with the skins of wild animals, or gorgeous draperies of feather-work wrought in imitation of birds, insects, and flowers, with the nice art and glowing radiance of colours that might compare with the tapestries of Flanders. Clouds of incense rolled up from censers, and diffused intoxicating odours through the apartments. The Spaniards might well have fancied