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the last chapter was begun with a reminder looking forwards, so the present must consist of one glancing backwards.

To some, it may raise a degree of surprise that one so full of confidence, as the merchant has throughout shown himself, up to the moment of his late sudden impulsiveness, should, in that instance, have betrayed such a depth of discontent. He may be thought inconsistent, and even so he is. But for this, is the author to be blamed? True, it may be urged that there is nothing a writer of fiction should more carefully see to, as there is nothing a sensible reader will more carefully look for, than that, in the depiction of any character, its consistency should be preserved. But this, though at first blush, seeming reasonable enough, may, upon a closer view, prove not so much so. For how does it couple with another requirement—equally insisted upon, perhaps—that, while to all fiction is allowed some play of invention, yet, fiction based on fact should never be contradictory to it; and is it not a fact, that, in real life, a consistent