Page:The Confessions of Jean-Jacques Rousseau, Aldus, 1903, v. 2.djvu/150

 which I composed music. The pleasure of honoring myself in the eyes of Madam d'Houdetot by a talent she loved, warmed my imagination, and another object still contributed to give it animation, this was the desire the author of the 'Devin du Villaqe' had of showing he understood music; for I had perceived some persons had, for a considerable time past, endeavored to render this doubtful, at least with respect to composition. My beginning at Paris, the ordeal through which I had several times passed there, both at the house of M. Dupin and that of M. de la Popliniere; the quantity of music I had composed during fourteen years in the midst of the most celebrated masters and before their eyes:--finally, the opera of the 'Muses Gallantes', and that even of the 'Devin'; a motet I had composed for Mademoiselle Fel, and which she had sung at the spiritual concert; the frequent conferences I had had upon this fine art with the first composers, all seemed to prevent or dissipate a doubt of such a nature. This however existed even at the Chevrette, and in the mind of M. d'Epinay himself. Without appearing to observe it, I undertook to compose him a motet for the dedication of the chapel of the Chevrette, and I begged him to make choice of the words. He directed de Linant, the tutor to his son, to furnish me with these. De Linant gave me words proper to the subject, and in a week after I had received them the motet was finished. This time, spite was my Apollo, and never did better music come from my hand. The words began with: 'Ecce sedes hic tonantis'. (I have since learned these were by Santeuil, and that M. de Linant had without scruple appropriated them to himself.) The grandeur of the opening is suitable to the words, and the rest of the motet is so elegantly harmonious that everyone was struck with it. I had composed it for a great orchestra. D'Epinay procured the best performers. Madam Bruna, an Italian singer, sung the motet, and was well accompanied. The composition succeeded so well that it was afterwards performed at the spiritual concert, where, in spite of secret cabals, and notwithstanding it was badly executed, it was twice generally applauded. I gave for the birthday of M. d'Epinay the idea of a kind of piece half dramatic and half pantomimical, of which I also composed the music. Grimm, on his arrival, heard speak of my musical success. An hour afterwards not a word more was said on the subject; but