Page:The Confessions of Jean-Jacques Rousseau, Aldus, 1903, v. 1.djvu/329

Rh myself uneasy about the attempts of a madman. I continued to see my friends: I went to take leave of the ambassador from Spain, who received me well, and of the Comte de Finochietti, minister from Naples, whom I did not find at home. I wrote him a letter and received from his excellency the most polite and obliging answer. At length I took my departure, leaving behind me, notwithstanding my embarrassment, no other debts than the two sums I had borrowed, and of which I have just spoken; and an account of fifty crowns with a shopkeeper, of the name of Morandi, which Carrio promised to pay, and which I have never reimbursed him, although we have frequently met since that time; but with respect to the two sums of money, I returned them very exactly the moment I had it in my power.

I cannot take leave of Venice without saying something of the celebrated amusements of that city, or at least of the little part of them of which I partook during my residence there. It has been seen how little in my youth I ran after the pleasures of that age, or those that are so called. My inclinations did not change at Venice, but my occupations, which moreover would have prevented this, rendered more agreeable to me the simple recreations I permitted myself. The first and most pleasing of all was the society of men of merit. M. le Blond, de St. Cyr, Carrio Altuna, and a Forlinian gentleman, whose name I am very sorry to have forgotten, and whom I never call to my recollection without emotion: he was the man of all I ever knew whose heart most resembled my own. We were connected with two or three Englishmen of great wit and information, and, like ourselves, passionately fond of music. All these gentlemen had their wives, female friends, or mistresses: the latter were most of them women of talents, at whose apartments there were balls and concerts. There was but little play; a lively turn, talents, and the theatres rendered this amusement incipid. Play is the resource of none but men whose time hangs heavy on their hands. I had brought with me from Paris the prejudice of that city against Italian music; but I had also received from nature a sensibility and niceness of distinction which prejudice cannot withstand. I soon contracted that passion for Italian music with which it inspires all those who are capable of feeling its excellence. In listening to barcaroles, I found I had not yet known what singing was, and I soon