Page:The Confessions of Jean-Jacques Rousseau, Aldus, 1903, v. 1.djvu/19

 his mistress and benefactress. That he loved Madame de Warens—his ‘Mamma’—deeply and sincerely is undeniable, notwithstanding which he now and then dwells on her improvidence and her feminine indiscretions with an unnecessary and unbecoming lack of delicacy that has an unpleasant effect on the reader, almost seeming to justify the remark of one of his most lenient critics—that, after all, Rousseau had the soul of a lackey. He possessed, however, many amiable and charming qualities, both as a man and a writer, which were evident to those amidst whom he lived, and will be equally so to the unprejudiced reader of the Confessions. He had a profound sense of justice and a real desire for the improvement and advancement of the race. Owing to these excellences he was beloved to the last even by persons whom he tried to repel, looking upon them as members of a band of conspirators, bent upon destroying his domestic peace and depriving him of the means of subsistence.

Those of his writings that are most nearly allied in tone and spirit to the Confessions are the Reveries d’un Promeneur Solitaire and La Nouvelle Heloise. His correspondence throws much light on his life and character, as do also parts of Emile. It is not easy in our day to realize the effect wrought upon the public mind by the advent of La Nouvelle Heloise. Julie and Saint-Preux became names to conjure with; their ill-starred amours were everywhere sighed and wept over by the tender-hearted fair; indeed, in composing this work, Rousseau may be said to have done for Switzerland what the author of the Waverly Novels did for Scotland, turning its mountains, lakes and islands, formerly regarded with aversion, into a fairyland peopled with creatures whose joys and sorrows appealed irresistibly to every breast. Shortly after its publication began to flow that stream of tourists and travellers which tends to make Switzerland not only more celebrated but more opulent every year. It, is one of the few romances written in the epistolary form that do not oppress the reader with a sense of languor and unreality; for its creator poured into its pages a tide of passion unknown to his frigid and stilted predecessors, and dared to depict Nature as she really is, not as she was misrepresented by the modish authors and artists of the age. Some persons seem shy of owning an acquaintance with this work; indeed,