Page:The Collected Works of Theodore Parker Politics volume 4 .djvu/113

Rh feeling; they have not the breath of our air; the smell of our ground is not in them. Hence our poet seems cold and poor. He loves the old mythology; talks about Pluto—the Greek devil, the fates and furies—witches of old time in Greece, but would blush to use our mythology, or breathe the name in verse of our devil, or our own witches, lest he should be thought to believe what he wrote. The mother and sisters, who with many a pinch and pain sent the hopeful boy to college, must turn over the classical dictionary before they can find out what the youth would be at in his rhymes. Our poet is not deep enough to see that Aphrodite came from the ordinary waters, that Homer only hitched into rhythm and furnished the accomplishment of verse to street-talk, nursery tales, and old men's gossip in the Ionian towns; he thinks what is common is unclean. So he sings of Corinth and Athens, which he never saw, but has not a word to say of Boston, and Fall River, and Baltimore, and New York, which are just as meet for song. He raves of Thermopylae and Marathon, with never a word for Lexington and Bunker Hill, for Cowpens, and Lundy's Lane, and Bemis's Heights. He loves to tell of the Ilyssus, of "smooth-sliding Mincius, crowned with vocal reeds," yet sings not of the Petapsco, the Susquehanna, the Aroostook, and the Willimantick. He prates of the narcissus and the daisy, never of American dandelions and blue-eyed grass; he dwells on the lark and the nightingale, but has not a thought for the brown thrasher and the bobolink, who every morning in June rain down such showers of melody on his affected head. What a lesson Burns teaches us, addresstag his "rough bur-thistle," his daisy, "wee crimson tippit thing," and finding marvellous poetry in the mouse whose nest his plough turned over! Nay, how beautifully has even our sweet poet sung of our own Green river, our waterfowl, of the blue and fringed gentian, the glory of autumnal days.

Hitherto, spite of the great reading public, we have no permanent literature which corresponds to the American idea. Perhaps it is not time for that; it must be organized in deeds before it becomes classic in words; but as yet we have no such literature which reflects even the surface of American life, certainly nothing which portrays our intensity of life, our hope, or even our daily doings and.