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 764 Bibliographies more, etc.). Zaza (Prom the French of Pierre Berton and Charles Simon). Garrick Theatre, 8 Jan., 1899 (Mrs. Leslie Carter). Naughty Anthony. Herald Square, 8 Jan., 1900 (Frank Worthing, W. J. Le Moyne, Blanche Bates). Madame Butterfly (From John Luther Long's Japanese story). Herald Square, 5 Mar., 1900 (Blanche Bates, Frank Worthing, etc.). Du Barry. Criterion Theatre, 25 Dec, 1901 (Hamilton ReveUe, Mrs. Leslie Carter, etc.). The Darling of the Gods. Belasco (now The Republic), 3 Dec, 1902 (Blanche Bates, George Arhss). Sweet Kitty Bellairs. Belasco (now The Republic), 8 Dec, 1903 (Henrietta Grossman). Adrea (With John Luther Long). Belasco Theatre (now The Republic), 11 Jan., 1905 (Mrs. Leslie Carter) . The Girl of the Golden West. Belasco (now The Republic), 14 Nov., 1905 (Blanche Bates). The Rose of the Rancho (With Richard Walton Tully). Belasco (now The Repubhc), 27 Nov., 1906 (Frances Starr). A Grand Army Man (With Pauhne Phelps and Marion Short). Stuyvesant Theatre (now The Belasco), 16 Oct., 1907 (David Warfield). The Lily (From the French of Pierre Wolff and Gaston Leroux). Stuyvesant (now The Belasco), 23 Dec, 1909 (Nance O'Neil). *The Return of Peter Grimm. Belasco, 2 Jan., 191 1 (David Warfield). [See M. J. Moses, Representative Plays by American Dramatists, Vol. 111.] The Secret (From the French of Henry Bernstein). Belasco, 23 Dec, 1913 (Frances Starr). Van Der Decken. Playhouse, Wilmington, Del., 12 Dec, 1915 (David Warfield). Boucicault, Dion. Articles on The Drama: The Decline of the Drama. North American Review, Sept., 1877. The Art of Dramatic Composition. North AmericanReview, Jan.-Feb., 1878. London Audiences. Theatre (English), July-Dec, 1884. Coquelin — Irving. North American Review, Aug., 1887. My Pupils. (Madison Square Theatre School.) North American Review, Oct., 1888. Shakespeare's Influence on the Drama. North American Review, Dec, 1888. D^but of a Dramatist (Autobiographical). North American Review, Apr., i88g. Early Days of a Dramatist (Autobiographical). North American Review, May, 1889. Leaves from a Dramatist's Diary (Autobio- graphical). North American Review, Aug. ,1889. Theatres, Halls, and Audi- ences. North American Review, Oct., 1889. The Future of the American Drama. Arena, Nov., 1890. Boucicault is said to have adapted and written some four hundred plays, but few of them are on American themes or were first produced in America. The most important in these respects are: The Poor of New York, 1857; *The Octo- roon; or. Life in Louisiana, performed at The Winter Garden, New York, 5 Dec, 1 859 ; *Rip Van Winkle ; or,. The Sleep of Twenty Years (adapted from other dra- matic versions), Adelphi Theatre, London, 4 Sept., 1865. See Walsh, Townsend, The Career of Dion Boucicault. The Dunlap Society, 19 15. Campbell, Bartley (1843-88). The Virginian. 1876. Fate. Glasgow, Gaiety Theatre, Feb., 1876. The Galley Slave. Hull, Nov., 1880. Paquita. Four- teenth StreetTheatre,2i Aug., 1885. The White Slave. (1884.) My Partner. Union Square Theatre, 16 Sept., 1879. Clio. London, 14 Aug., 1885 (New York, Niblo's Garden, 17 Aug., 1885). Siberia, 1888. Risks (For J. T. Raymond), 1888. Wrote also: Peril, Big Bonanza, Matrimony. Carleton, Henry Guy (1856-1910). *Memnon. 1881. Never produced. Private- ly printed, 1884. Victor Durand. Wallack's Theatre, 18 Dec, 1884. The Pembertons. 1889. The Lion's Mouth (1890). Star Theatre, 11 Sept., 1892. Ye Earlie Trouble (1891). Proctor's Twenty-Third Street Theatre, loSept., 1892. (Rewritten as When George Was King.) The Princess of Erie (1892.) A Gilded Fool. Miner's Fifth Avenue Theatre, 7 Nov., 1892 (N. C. Good-