Page:The Cambridge History of American Literature, v1.djvu/143

Rh in 1731, as Franklin's partner in a new enterprise, which soon included a new paper, The South Carolina Gazette. Naturally, Whitemarsh filled his front page with essays, sometimes reprinted from The Spectator, but often original, with a facetious quality suggesting Franklin. A few burlesques such as the papers of a certain Meddlers' Club are little better than nonsense, rarely enlivened by a flash of wit. Once we find an odd bit of local colour, when a member of this dub criticizes the fair ones of Charleston for promenading too much along the bay. “I have heard,” he says, “that in Great Britain the Ladies and Gentlemen choose the Parks and such like Places to walk and take the Air in, but I never heard of any Places making use of the Wharfs for such Purpose except this.” Essays of one sort or another were always popular in The South Carolina Gazette. Here may be found interesting notices of the various performances (probably professional) of Otway's Orphan, Farquhar's Recruiting Officer, and other popular plays of the period which were given at the Charleston theatres for twenty or thirty years before the first wandering professional companies began to play in the Northern colonies. Here, too, we find in the issue of 8 February, 1735, what is probably the first recorded prologue composed in the colonies.

Early theatrical notices may also be followed in The Virginia Gazette, a paper of unusual excellence, edited by William Parks in Williamsburg, the old capital of Virginia. Here The Busy-Body, The Recruiting Officer, and The Beaux-Stratagem were all performed, often by amateurs, though professionals were known as early as 1716 in Williamsburg. Life in Williamsburg in 1736 had a more cosmopolitan quality than in other towns. A sprightly essay-serial called The Monitor, which fills the first page of The Virginia Gazette for twenty-two numbers, probably reflects not only the social life of the capital, but also the newer fashion in such periodical work. It is dramatic in method, with vividly realized characters who gossip and chat over games of piquet or at the theatre. The Beaux-Stratagem, which had been played in Williamsburg three weeks before, is mentioned as delightful enough to make one of the ladies commit the indiscretion of giggling. The Monitor represents a kind of light social satire unusual in the colonies.

Satire of a heavier sort when attempted by newspaper