Page:The Book of the Thousand Nights and One Night, Vol 9.djvu/343

309 to a native of Syria, where the memories of the Ommiade Khalifs (with anecdotes of whom, to the exclusion of their rivals and successors of the house of Abbas, the story abounds), long tenaciously survived, and appears to have been written before the introduction of firearms, although the gross anachronisms with which it swarms would seem to point to a later date. affords internal evidence of Egyptian and comparatively modern origin and is one of the stories that are known to exist in an independent form. The same may be said of and the  (practically one and the same tale), in which the constant employment of Egyptian words, such as kaak (gimblet-cakes), khelbous (buffoon), mehremeh (for mendil, handkerchief), etc., etc., is especially notable. The mention of the firing of cannon, as a signal or salute, by the Genoese Corsair-captain in Alaeddin Abou esh Shamat brings the date of this story down to the fifteenth century, whilst the anachronisms (e.g. the making the tomb of the dervish-saint Abdulcadir el Jinani, who died in the latter part of the twelfth century, exist at Baghdad in the time of Haroun er Reshid), which characterize it, point to its having been composed at a comparatively recent period, when the memories of the time of which it treats had become confused, and the author would appear, from internal evidence, to have been a foreigner to Baghdad, probably an inhabitant of