Page:The Book of the Homeless (New York, Charles Scribner's Sons, 1916).djvu/160

 That address was as if graven deep in my brain. I muttered its words to myself as I walked on, navigating the sea of London by the chart concealed in the palm of my hand; for I had vowed to myself not to inquire my way from any one. Youth is the time of rash pledges. Had I taken a wrong turn I would have been lost; and if faithful to my pledge I might have remained lost for days, for weeks, have left perhaps my bones to be discovered bleaching in some blind alley of the Whitechapel district, as had happened to lonely travellers lost in the bush. But I walked on to my destination without hesitation or mistake, showing there, for the first time, something of that faculty to absorb and make my own correctly the imaged topography of a chart, which in later years was to help me in regions of intricate navigation to keep the ships entrusted to me off the ground. And the place I was bound to was not so easy to find, either. It was one of those courts hidden away from the charted and navigable streets, lost amongst the thick growth of houses, like a dark pool in the depths of a forest, approached by an inconspicuous archway, as if by a secret path; a Dickensian nook of London, that wonder-city, the growth of which bears no sign of intelligent design, but many traces of freakishly sombre phantasy which the great Master knew so well how to bring out by magic of his great and understanding love. And the office I entered was Dickensian too. The dust of the Waterloo year lay on the panes and frames of its windows; early Georgian grime clung to its sombre wainscoting.

It was one o'clock in the afternoon, but the day was gloomy. By the light of a single gas-jet depending from the smoked ceiling I saw an elderly man, in a long coat of black broadcloth. He had a grey beard, a big nose, thick lips, and broad shoulders. His longish white hair and the general character of his head recalled vaguely a burly apostle in the “barocco” style of Italian art. Standing up at a tall, shabby, slanting desk, his silver-rimmed spectacles pushed up high on his forehead, he was eating a mutton chop, which had been just brought to him from some Dickensian eating-house round the corner.