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 “Oh, come now, Poirot—surely you can’t pay an express to stop—they’d refuse,”

“My dear friend, have you never remarked the little handle—the signale d’arrêt—penalty for improper use, 100 francs, I think?”

“Oh! you are going to pull that?”

“Or rather a friend of mine, Pierre Combeau, will do so. Then, while he is arguing with the guard, and making a big scene, and all the train is agog with interest, you and I will fade quietly away.”

We duly carried out Poirot’s plan. Pierre Combeau, an old crony of Poirot's, and who evidently knew my little friend’s methods pretty well, fell in with the arrangements. The communication cord was pulled just as we got to the outskirts of Paris. Combeau “made a scene” in the most approved French fashion, and Poirot and I were able to leave the train without any one being interested in our departure. Our first proceeding was to make a considerable change in our appearance. Poirot had brought the materials for this with him in a small case. Two loafers in dirty blue blouses were the result. We had dinner in an obscure hostelry, and started back to Paris afterwards.

It was close on eleven o’clock when we found ourselves once more in the neighbourhood of