Page:The Better Sort (New York, Charles Scribners Sons, 1903).djvu/58

THE BETTER SORT the silence in which all this would be muffled for them was, none the less, and in abundance, confirmed by our observations. The whole thing was to be the death of one or the other of them, but they never spoke of it at tea. I remember even that Nina went so far as to say to me once, looking me full in the eyes, quite sublimely, "I've made out what you mean—she is a picture." The beauty of this, moreover, was that, as I am persuaded, she hadn't really made it out at all—the words were the mere hypocrisy of her reflective endeavour for virtue. She couldn't possibly have made it out; her friend was as much as ever "dreadfully plain" to her; she must have wondered to the last what on earth possessed us. Wouldn't it in fact have been, after all, just this failure of vision, this supreme stupidity in short, that kept the catastrophe so long at bay? There was a certain sense of greatness for her in seeing so many of us so absurdly mistaken; and I recall that on various occasions, and in particular when she uttered the words just quoted, this high serenity, as a sign of the relief of her soreness, if not of the effort of her conscience, did something quite visible to my eyes, and also quite unprecedented, for the beauty of her face. She got a real lift from it—such a momentary discernible sublimity that I recollect coming out on the spot with a queer, crude, amused "Do you know I believe I could paint you now?"

She was a fool not to have closed with me then and there; for what has happened since has altered everything—what was to happen a little later was so much more than I could swallow. This was the disappearance of the famous Holbein from one day to the other—producing a consternation among us all as great as if the Venus of Milo had suddenly vanished from the Louvre. "She has simply shipped her straight back"—the explanation was given in that form by Mrs. Munden, who added that any cord pulled tight enough 46