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Rh and in 1873 he died in poverty. His name is beloved by his countrymen; and Ram Sharma's memorial lines, quoted in this volume, have found a ready response in Bengal.

The success of Michael Dutt stimulated the brilliant band of relatives who produced in London, in 1870, The Dutt Family Album. This book must be of abiding interest and value to the student of literary history in India. Published by the house of Longmans, it is an anthology compiled from the original poems of Govin, Omesh, Greece and Hur Chunder Dutt. In the preface the authors claim consideration for their compilation as a curiosity, and as the work of foreigners educated out of England. Up to this date no Bengali writer had been trained in Europe. While it is true that Michael Dutt studied law in London, his production of the Captive Ladie belongs to the year 1849, before he had left Madras. The Dutt Family Album, therefore, may be taken to represent the older school of Bengali poetry in English. It was the compilation of men whose encouragement to literary work was received from such enthusiastic teachers as Richardson, and whose academic career began and ended in the Hindu College of Calcutta. The literary merits of this book, carefully judged in the light of the special circumstances of its production, are considerable. The quality of the verse, the range and variety of theme, the command of various metrical forms, and the restraint and dignity of the style, are everywhere pleasing. The most notable of the four authors were Govin and Omesh, who contributed 66 and 73 pieces out of the total of 197. Indian history, legend and landscape, the picturesque elements of the Christian and the Hindu faith, and such ideas as would attract an oriental in his first intercourse with the west, provide the themes of their verse.