Page:The Atlantic Monthly Volume 80.djvu/205

 The history of the American Negro is the history of this strife,—this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa; he does not wish to bleach his Negro blood in a flood of white Americanism, for he believes—foolishly, perhaps, but fervently—that Negro blood has yet a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without losing the opportunity of self-development.

This is the end of his striving: to be a co-worker in the kingdom of culture, to escape both death and isolation, and to husband and use his best powers. These powers, of body and of mind, have in the past been so wasted and dispersed as to lose all effectiveness, and to seem like absence of all power, like weakness. The double-aimed struggle of the black artisan, on the one hand to escape white contempt for a nation of mere hewers of wood and drawers of water, and on the other hand to plough and nail and dig for a poverty-stricken horde, could only result in making him a poor craftsman, for he had but half a heart in either cause. By the poverty and ignorance of his people the Negro lawyer or doctor was pushed toward quackery and demagogism, and by the criticism of the other world toward an elaborate preparation that overfitted him for his lowly tasks. The would-be black-savant was confronted by the paradox that the knowledge his people needed was a twice-told tale to his white neighbors, while the knowledge which would teach the white world was Greek to his own flesh and blood. The innate love of harmony and beauty that set the ruder souls of his people a-dancing, a-singing, and a-laughing raised but confusion and doubt in the soul of the black artist; for the beauty revealed to him was the soul-beauty of a race which his larger audience despised, and he could not articulate the message of another people.

This waste of double aims, this seeking to satisfy two unreconciled ideals, has wrought sad havoc with the courage and faith and deeds of eight thousand people, has sent them often wooing false gods and invoking false means of salvation, and has even at times seemed destined to make them ashamed of themselves. In the days of bondage they thought to see in one divine event the end of all doubt and disappointment; eighteenth-century Rousseauism never worshiped freedom with half the unquestioning faith that the American Negro did for two centuries. To him slavery was, indeed, the sum of all villainies, the cause of all sorrow, the root of all prejudice; emancipation was the key to a promised land of sweeter beauty than ever stretched before the eyes of wearied Israelites. In his songs and exhortations swelled one refrain, liberty; in his tears and curses the god he implored had freedom in his right hand. At last it came,—suddenly, fearfully, like a dream. With one wild carnival of blood and passion came the message in his own plaintive cadences:—

Years have passed away, ten, twenty, thirty. Thirty years of national life, thirty years of renewal and development, and yet the swarthy ghost of Banquo sits in its old place at the national feast. In vain does the nation cry to its vastest problem,—

The freedman has not yet found in freedom his promised land. Whatever of lesser good may have come in these years of change, the shadow of a deep disappointment rests upon the Negro people,